Discussion: Are ARC’s Actually Worth It?

Potentially unpopular opinion alert….

Recently, I noticed a bit of a trend with my review ratings being higher than normal. Whereas I’m usually pretty stingy when dishing out stars (two and a half is ok, three is good, five has to be earth shattering) I found I was consistently rating books at around the four star mark and one month even had two five star reviews. Unheard of. So what was going on?

I did a bit of light digging and found that my NetGalley deadlines were pretty quiet for the months in question. Hmmm. When I looked closer, I found that I have a tendency to not enjoy NetGalley ARC’s as much as books I’d obtained from other sources (bought as new, bought second hand, borrowed from the library or a friend). That’s odd, right? 

Now, I’m not saying that I haven’t found some amazing novels on NetGalley. A quick flick through my book journal shows brilliant books like Katherine Arden’s Winternight trilogy, The Feather Thief, Bitter and The Woman in the Window all came from there, plus many others. However, I definitely feel like there’s a tendency for me to find an ARC a bit meh. Why?

Well, I guess there’s a pretty slick PR department at NetGalley who are professionals at making books sound A-MA-ZING when in reality, they’re probably not. In my reading life, they’re the only professional source of book marketing that I engage with. The only other thing that comes close is authors or blog tour organisers who directly approach me to review their books. The thing is, a direct email is so much more personal that I’m far, far pickier about participating. I have to be almost entirely sure that I’m going to like the novel before I agree to review it because, well, how super awkward would it be to send a negative review directly to the author or the person who was counting on you for some publicity? I have almost zero qualms about sending a negative review to NetGalley though because it’s so…impersonal. I’m just a random person sending feedback via an intermediary. Nothing ever comes of it so there’s no fear. 

Apart from the marketing angle, I guess the idea of free books gives me a kid-in-a-sweet-shop mentality. I want them all! I was exactly the same when I first bought a Kindle and discovered the Top 100 Free chart. Unlimited free books from the comfort of my home! My dreams have been realised! Then I started reading them and found the quality to be…let’s say variable…trending towards the lower end of the scale (again, not knocking anyone, I’ve found some great free books over the years. They just tend to be few and far between). 

But Lucinda, you use the library! Free books! It’s the same thing, right?

Well actually, no. Firstly, the library doesn’t send you vaguely manipulative emails every five minutes telling you that only 100 people will get to read this book now or give you professional marketing literature about a book that they’ve been told to push. The most you’ll get is a “If you liked this you might like…” or an impartial recommendation. Plus you can still only have six books at a time (presumably to stop people like me with no impulse control from turning up with a wheelbarrow and emptying the shelves). The library exists as a publicly funded entity, NetGalley is a profit making PR firm. 

Major. Difference. 

But you must buy books that you don’t like?

Yes of course but since I’m not a millionaire they tend to be considered purchases. I see buying books as a treat, so I need to choose wisely. I’ll spend far more time looking at reviews, reading synopses and shopping around than I would for an ARC. I mean, I could be spending that money on gin.

So, are you going to stop using NetGalley?

Of course not, I’m not an idiot. Free books, remember?!?

Seriously, I don’t think using NetGalley is a bad idea – on the contrary, it’s a brilliant resource for book bloggers like myself. I’ve found lots of amazing novels through the site and I love it when I find out that my request to read something has been approved. I am going to be more restrained though. I’d like to spend more time on my actual, long-standing TBR instead of succumbing to the latest whim. Boringly Annoyingly As always, it seems like moderation is the key. 

What are your thoughts on sites like NetGalley? Do you find a difference in your enjoyment of ARCs vs bought/library books? Let me know in the comments!

Review: The Life and Times of a Very British Man by Kamal Ahmed

Genre: Memoir, Adult Non-Fiction

Similar to: Born a Crime by Trevor Noah (minus the humour)

Could be enjoyed by: People interested in a personal experience of immigration, racism and “Britishness”

Publication date: 18th October 2018

You might recognise the name of the author – Kamal Ahmed is the BBC’s Chief Economics Editor. From what I’ve seen of him on TV, he appears to be a nice, polite, slightly nerdy guy who talks a lot about facts and figures…and that’s kind of my problem with his book, The Life and Times of a Very British Man. It’s a well researched, coherent discussion of race, culture and immigration in the 20th and 21st Century but it’s all a bit, well, nice. Everything is written about in a very fair and balanced way (even if some of the statements are pie-in-the-sky wishful thinking) and whilst that makes for some interesting soundbites or perhaps a good newspaper article, reading an entire book which seems to be centred around the idea that racism=bad (and here’s some facts to back it up) can be a tiny bit dull. Like, we know that already. Give me more personal interest.

To be fair, Ahmed does interweave his personal experiences of growing up in 1970’s Britain as the mixed race child of a white British mother and a black Sudanese father but I struggled to connect to his annecdotes. I have a real issue with writers who describe their lives in a very matter of fact way because I find it hard to empathise with them and I personally found the slightly detached writing style didn’t engage me. It didn’t help that facts and figures were so freely sprinkled throughout the text, like a final year student trying to shoehorn in a load of references to their dissertation. I found that the overall effect was one of polite discomfort – a dispassionate cry of “something should be done about this!” but what was lacking was any kind of passion. I wanted more anger, more drama, more discussion of real world implications. Not another statistic from an ONS survey.

There were however some parts of the book that were really gripping. There was a dissection of the Enoch Powell “Rivers of Blood” speech that was very well written and super informative. I’d never even considered the content of the speech before (I literally knew those three words) and it was fascinating to look at the wider political climate at the time it was written and the implications on the rhetoric of politicians today surrounding the issue of immigration. I was also fascinated to read about Ahmed’s trip to Sudan and his feelings about the idea of “going home” to a country that was as alien to him as any tourist. Naively, I expected him to feel some kind of connection to the land, then I realised what a ridiculous notion this is -and started wondering what had informed that view…

Overall, The Life and Times of a Very British Man simply wasn’t for me. It’s well written, well researched and forms a cohesive argument but I struggled to engage with the author. Ironically, if he’d been a bit less British-stiff-upper-lip about the whole thing I perhaps would have enjoyed it more. 

Rating: Two and a half “is that the bloke off the telly?” out of five.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

 

Review: No Tomorrow by Luke Jennings

Genre: Thriller

Similar to: Something by John Le Carre or Ian Fleming 

Could be enjoyed by: People who liked book one

Publication date: 25th October 2018

No, you haven’t read this review before – this is the second instalment of the novels that the Killing Eve TV show was based on. To be honest, by the time I’d finished this book the show had deviated so utterly from the text that I wasn’t even sure if it had taken the book into account, was going to do so in the next series or if Pheobe Waller Bridge was just forging ahead with her own storylines from now on. I guess we’ll just have to wait and see.

In No Tomorrow, the main characters remain as in the first book; Eve Polastri (MI6 agent) and Oxana Vorontsova (Villanelle, sociopath and assassin). The two women are locked in a deadly game of cat and mouse, with Eve edging ever closer to Villanelle and the secretive organisation that she works for – only to find out the extent to which she’s been manipulated.

Oooh!

I’ll start with a nice positive – this book was far more coherent than the first one (Codename: Villanelle). The whole narrative flowed better, there was more content, the characters were more fleshed out. I mean, it’s still an overtly glamourous, ridiculously premised spy thriller so it’s never going to win any literary awards but it’s also super fast paced, exciting voyerism. You just have to remember to suspend your belief from time to time.

It was also nice to see a few glimpses of the humour of the TV series but unfortunately it was nowhere near as frequent or as well done. I thought that was such a shame because the TV series really does stand out for it’s quick wit and black humour. However, the book still retains a certain charm and is definitely a page turner. The characters are just as far fetched as ever but the way that Villanelle and Eve are drawn to each other is unique and even a tiny bit sexy. I mean, Eve still has stratospheric leaps of imagination (her instinct, ha! That must be why she’s female) and Villanelle survives some frankly bonkers murder scenes (spoiler alert: a leather suitcase does not provide much protection from a bomb blast) but the dynamic between the two women is fascinating. 

It did find it annoying that I couldn’t for the life of me work out where the book was in relation to the TV series. Like AT ALL. Some events didn’t happen, others were alluded to, some were fairly similar but meant that things that had happened in the TV series didn’t make sense. It doesn’t help that a few of the male characters in the book have been changed to women for the television. Don’t get me wrong, I’m all for diverse representation but it doesn’t make it easy when you’re reading ahead to find out what happens and you can’t even figure out who is who!

Overall, I enjoyed No Tomorrow a lot more than Codename: Villanelle and I’m looking forwards to seeing what happens next, both in text and on the television. I still prefer the TV series but the final chapter of No Tomorrow has set up a really interesting premise that I’m super excited about. I need to know what happens!

Rating: Four “don’t eat the banana if it’s got human remains on it” out of five.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

 

Review: Codename:Villanelle by Luke Jennings

Genre: Thriller

Similar to: Something by John Le Carre or Ian Fleming (IDK, I’m not a thriller fan)

Could be enjoyed by: People who’ve watched the TV series and would like to know what the hell’s going on

Publication date: 6th September 2018

To clear up any confusion: yes, this is the novel that inspired the Killing Eve TV series. However, the show deviates wildly from the book so if you’re a fan of the programme, be prepared. For those of you who haven’t seen it I’d highly recommend doing so because it’s bloody brilliant and one of those rare occasions where the adaptation is better than the source material (that’s something I’ve literally never said before). 

I digress…

Codename: Villanelle is a super sexy spy thriller, set in various glamorous locations all over the world. It’s your usual fare: a good cop character (Eve Polastri) is recruited to catch a sociopathic assassin (Oxana Vorontsova AKA Villanelle) who is working for a top secret consortium hell bent on creating a new world order. What’s different is that both the MI6 agent and the assassin are women. A bit one dimensional, yes and not brilliantly written but still, it’s nice to see female characters taking centre stage for a change. To be honest, their depictions could have been a lot worse (I don’t know anything about their breasts, for example) but I think that says more about the low bar that’s been set by other authors than the quality of the writing here.

Whereas the TV series elevates the (slightly generic) story from good to brilliant with the use of clever dark humour and a complex storyline, the book is far less amusing and has a more obvious narrative. The only positive is that the book does provide more of a back story for anyone who has watched Killing Eve and got a bit lost. You get to find out more about the consortium (The Twelve) and their ideas for the world which helps to place Villanelle’s actions within more of a logical setup. You also get to understand a bit more of her back story so there’s less of the “she’s just a sociopath, go with it” which seemed to be the image that the TV series presented.

On the plus side, the book is extremely fast paced and is a real page turner. It’s fairly short so easy to rip through and despite being a bit generic there’s something about the two main characters that’s utterly compelling. Villanelle is a ruthless killer utterly without remorse and although the book has softened her a bit, the things she got up to provided a great big dash of voyeuristic escapism. The cat and mouse games that she plays with Eve were creepy/enthralling in equal measure but I did find Eve’s leaps of logic a tiny bit wearing. From a multitude of options she seemed to guess correctly every single time, leading her in a direct line towards Villanelle. Hmmmmm.

Apart from the occasional need for the reader to suspend their disbelief, the only other thing that let the book down was the writing itself. I found the text somewhat clunky and as the book is four novellas smushed together the narrative flow is a bit start-stop. This can be jarring at times but the action ramps up quickly, helping to smooth out the obviously bumpy plot.

Overall, I found Codename: Villanelle to be exciting and fast paced but also kinda generic and dare I say it – a tiny bit trashy. Pheobe Waller-Bridge has done an absolutely terrific job in adapting the text for TV and if I were you, I’d definitely watch that first then read the books if you have a burning desire to get a bit more background info.

Rating: Two and a half “please put down the champers and drink some water” out of five.

Sexy, fast paced escapism – just don’t expect the brilliance of the TV series.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

Discussion: Is It OK To DNF an ARC?

Odd little fact about me- I very very rarely DNF books. There’s something that feels so wrong about doing it that I just…can’t. I’ve spent hours slogging through some thoroughly unenjoyable texts: Titus GroanThe Devil’s PrayerThe Foxhole Court, The Book of Mirrors…the list is huge. Yet I don’t feel like I’ve wasted my time reading any of those books. I think I’ve just proven to myself that I definitely didn’t like them (and said so in my fun little negative reviews). Usually, if I’m reading a boring book I’ll put it on the backburner and read something else for a bit, then return to it half an hour at a time for the next few days/weeks/months. However, even I have my limits and unfortunately I think I’ve reached them with Swan Song by Kelleigh Greenberg-Jephcott.

You see, Swan Song isn’t an objectively bad book. It’s coherent, the plot moves along nicely, there grammar and spelling is fine, there’s no major storyline inconsistencies or majorly annoying characters. It has some good points; it’s glamorous, it features a number of well written characters, it feels authentic. The problem is…I simply don’t care what happens.

Honestly, I’ve never felt so emotionally distanced from a book. I have absolutely no idea why – it’s not like the characters aren’t multi-faceted or deserving of pity or the writing is terrible. It’s just that…I don’t care. You see, Swan Song is the story of Truman Capote (yes, that one) and the publication of excerpts from his unfinished novel”Answered Prayers”. Capote’s writing features all of his glamorous Hollywood/High Society friends and his bitchy stories about them and Swan Song is the imagined reaction to the release of such scandalous gossip. My problem is this: I don’t care about (fairly tame) gossip about 1950’s starlets. I don’t care about whose husband had an affair with whom. I don’t care who felt betrayed and who spat out their dry martini all over their Chanel evening gown. It just wasn’t for me.

But can I DNF it?

The problem is, I got a copy of Swan Song as an ARC and I feel weirdly obliged to give an honest review of the title – something I can’t objectively do if I’ve only read half of it. Yes, I know there’s a box on NetGalley where you can say that you’re not going to provide a review but there’s still part of me that feels that’s it’s wrong to give up. But then I look at the progress bar on my Kindle and it says something like 3 hours 15 minutes left to read and my heart just sinks (also, I’m not entirely sure that’s accurate – I can usually read an entire book in that time – perhaps it’s because I keep drifting off and having to re-read bits). 

There’s a part of me that’s worried that the book might suddenly get better and I’m missing out. There’s also a tiny little nagging voice that tells me that DNFing a book makes me a loser. Then there’s another part of me that thinks life’s too short to read something in not enjoying.

Things my brain is saying right now:

But what if I go to a dinner party and everyone is raving about the book and I have to admit that I gave up on it? (I can’t even begin to tell you how wildly improbable that scenario is).

What off my brain never lets me forget that I stopped reading it and it annoys me for the rest of my life? (More likely)

What if the book becomes a forgotten classic, only to be re-discovered years later and I have to admit that I was there at the start but I couldn’t see how amazing it was? 

Aargh!

Can anyone please help me to feel better about my dilemma? Are you a regular DNFer? Is it wrong? Am I over-thinking it? Please let me know your thoughts in the comments!

Review: The Feather Thief by Kirk Wallace Johnson

“Beauty, obsession and the natural history heist of the century”

Genre: Non-fiction (Adult), True Crime

Similar to: Fly Fishing by J.R.Hartley

Could be enjoyed by: Fans of books featured on BT adverts

Publication date: 26th April 2018

I’ll be honest – If it wasn’t for the #Read Harder Challenge by Book Riot I would never ever have picked this book up. It’s such a weird topic to write about, a completely bizzare story and features lots of different topics, none of which I’m particularly interested in.

You see, The Feather Thief is the true life story of Edwin Rist, a salmon fly tier who becomes so obsessed with the hobby that he ends up stealing a huge number of rare bird skins from the British Museum of Natural History in Tring in order to use their feathers to make salmon flies (and also makes pretty hefty profit selling the feathers on to other salmon fly tiers – Edwin is also a prodigal flautist and wants a new professional grade flute). 

Sorry, did I lose you there for a second? You don’t know what a salmon fly is? Or how it relates to dead museum birds? Or what this book is even about?

Yeah, that was pretty much my response when I read the blurb but I needed to read a book of true crime, sooooooo….yeah. I chose to read it.

And guess what?

It was INCREDIBLE!

I genuinely can’t believe how interesting this book was – especially for someone like me who knew literally nothing about salmon fishing, Victorian bird hunting or the esoteric (good word) world of modern day salmon fly tying. And now – now I know LOADS about all of these things and they are FASCINATING.

Let me explain…

The Feather Thief begins with an introduction into the world of the fishing fly. These are the things that you attach to your fishing hook (like a lure) to make the fish think that your hook is food or something to be attacked. Either way, the fish ends up with the hook in it’s mouth and you end up with a charming photo of you holding it by the tail before hopefully putting it back in the river. So, fishing flies are generally functional objects that help you to catch fish. People either buy them or make them using bits of feathers, tinsel, coloured plastic etc. – anything to grab the fish’s attention.

Except…

Except there is a bizzare, kinda underground world of people who create massively intricate, hugely expensive salmon fishing flies purely for fun – not fishing. They often follow Victorian instructions for such creations and as such need to get hold of the kinds of materials that would have been used at the time. This is where it gets interesting. You see, the Victorians loved feathers – especially from rare and/or exotic birds. Also, they didn’t give a tuppeny fig about ideals such as animal welfare, conservation or protecting vulnerable species – to be fair, none of these things had been invented yet. To the Victorians, if it moved then you should shoot it then either eat it, stuff it, preserve it or wear it. And if it came from a far flung country and looked fabulously exotic, so much the better for showing off your wealth and excellent taste. 

A huge market arose for the importation of feathers from the tropics and Asia (primarily for fashion) and so it was only natural that a gentleman interested in country pursuits should show off with a display of the finest, most highly decorative salmon flies that money could buy, whilst his wife paraded around with a dead bird on her hat. 

Cut to the present day…

For some bizzare reason, people are still interested in creating Victorian salmon flies (I guess everyone has to have a hobby). However, many of the materials required are now protected by law – the Victorians pretty much decimated much of the natural populations of thousands of animal species, particularly exotic birds. So, demand for rare feathers in the world of salmon fly tiers is particularly high – especially as their availability is so scarce.

Still with me?

Ok, so this is where Edwin Rist comes in. He’s a young American teenager with meagre funds but an all-consuming obsession with fly tying. Studying in the UK, he hears about the collection of bird skins that were collected by Alfred Russel Wallace (a contemporary of Darwin) who painstakingly caught, labelled and preserved exotic birds in the wild and had them shipped back to the UK for scientific research. Edwin views some of the collection (now housed at the British Museum of Natural History in Tring), scopes the place out then returns at a later date and steals hundreds of the specimins, specifically to create salmon flies (or to sell on to other tiers).

No, really. He absolutely decimates the collection of irreplaceable scientific specimens so that he can create salmon flies – display purposes only. 

The Feather Thief investigates everything from Wallace’s voyages to the tropics and the Victorian fascination with feathers to Edwin Rist himself, what happened when he raided the museum, how he was eventually caught (tiny spoiler – the museum didn’t even notice that the birds were missing for MONTHS) and also tries to trace the missing birds. It features interviews with some of the main players in the fly tying world and eventually the author even manages to talk to Rist himself. The whole thing is utterly fascinating and far more interesting than I’ve made it sound.

I loved learning all about the history of collecting bird specimens (for scientific research, private collections and for profit) and the huge industry that this created. Although this could have been a pretty dry info-dump the conversational tone of the author brought the subject matter to life. Johnson’s overall style reminded me of Bill Bryson (who as far as I’m concerned could make any subject captivating) and I could really feel how personally invested he was in the story. Although I’m pretty ignorant about the history of feather trading, The Feather Thief seemed to be very well researched and was heavily referenced throughout.

As the book progressed and Johnson focused more on the psychology of why Rist would risk everything to commit such a crime (and the arguments that his defence lawyer used to mitigate his sentencing) the manuscript becomes more of a psychological thriller. Who really is Edwin Rist? Was his sentencing fair? Where are the birds that he stole? How many members of the fly tying community knew about the heist or suspected they were buying stolen birds/feathers but didn’t say anything? Johnson investigates all of these questions and whilst he doesn’t necessarily come up with the answers, he objectively presents all of the evidence available and allows the reader to draw their own conclusions.

Cleverly constructed, impeccably researched and utterly fascinating, The Feather Thief is an incredible book. I was completely sucked into the murkey world of salmon fly tying and the story of how a teenager could pull off such a high stakes, valuable, devastating heist with little more than some wire cutters, a rock he found on the ground and a wheelie suitcase. Seriously – just go and read it for yourself.

Rating:🌟Five felonious feather filching foreign flautists out of five🌟

Bonkers, esoteric psychological crime drama that could easily have been the plot of a of Jonathan Creek episode. Brilliantly engaging, a great pick for a true crime book that doesn’t feature a murder or violence of any kind. Weird and truly wonderful.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! I also read this novel as part of the Book Riot Read Harder Challenge 2018 #2 Read a book of true crime.

 

Review: Vox by Christina Dalcher

“Silence can be deafening”

Genre: General adult fiction, dystopian fiction

Similar to: The Handmaid’s Tale, The Power

Could be enjoyed by: Fans of feminist dystopian fiction

Publication date: 23rd August 2018

So, dear readers, you’ve reached the third instalment of my unintentional series of dystopian feminist fiction reviews. I’ve recently talked about the original (The Handmaid’s Tale), the new kid (The Power) and now we have the pretender to the throne: Vox.

Jeanie lives in a near future version of America in a world where women are forced into their “traditional” role of mother and housewife. They’re limited to speak only 100 words per day by a delightful little wrist counter that gives an electric shock to anyone who goes over their daily allowance. Through an unlikely event, Jeanie is given permission to remove her counter, return to the workplace and continue her medical research into the creation of a drug that can repair the speech of someone who has had a stroke. However, as Jeanie finds out more about her role within a much wider team and the sinister ramifications of her research she is forced to decide – should she shut up and play along or make her voice heard?

I’ll be honest – Vox was a bit of a letdown for me. Despite being a very similar premise to The Handmaid’s Tale it was initially fairly well executed (with a few niggles – I’ll come to those in a moment). However, by the time I got to around 70% of the way in, shit got weird. Like crazy coincidence, why would that happen, why is she there, I don’t understand this ending weird. 

Urgh.

But first things first – the good bits. I did initially enjoy the premise and I loved how pacey the writing was. At first, I was completely drawn into the story and I loved hearing Jeanie’s internal monologue knowing that she couldn’t vocalise her disagreement with the comments of her male children or husband and the sense of frustration and tension that built. There were some very touching scenes with Jeanie and her daughter, like when they couldn’t say goodbye to each other or when her daughter wins an award at school and Jeanie comes to the horrifying realisation that it’s because she’s not spoken at all throughout the day. Her eldest son is very much a product of the misogynistic regime and as much as I wanted to punch him in the face I loved the edge that this gave to their relationship and how it highlighted Jeanie’s powerlessness to parent without words. However, Jeanie has four children and I felt like her twin boys weren’t really fleshed out enough to be of any consequence – so why were they there?

Unfortunately there was also a number of other things that didn’t sit quite right with me. Throughout the book Jeanie is having an affair and although I could accept the possibility of that happening, it was the reckless way that she went about it that got on my nerves. You’re living in a totalitarian regime where your every word is recorded and your every movement tracked by CCTV and yet you still manage to go to a semi secluded house for regular extra-marital, contraceptive free sex? When the probable punishment is execution? Really?

As the book progressed I became less engaged with the storyline. There was a greater emphasis on the scientific nature of Jeanie’s work that, frankly, became quite boring and I began to feel that as the ending drew nearer things became a little rushed. There were far too many situations where Jeanie seemed to take ridiculous risks and the storyline all seemed a little too convenient (“I know exactly how to find that out – my husband just happens to work with the President! I’m sure he’ll have files that explain everything somewhere in our house! Oh look – there’s my uni friend who I haven’t seen in twenty years! Let’s just turn on an MRI machine for no reason to drown out our conversation – I’m sure that won’t look suspicious on the closely guarded CCTV!” etc. etc.)

Then there was the actual ending itself. Perhaps I’d just got bored, perhaps I’d been a bit bamboozled by the science but I just. Didn’t. Get. It. Then *spoiler alert* there was the super trite “oh, my husband’s out of the picture so now me and my four-kids-who-definitely-won’t-be-scarred-by-all-of-this can be with you, handsome affair guy, and we can all live happily ever after!” Urgh, pleeeeeze . 

So, all in all, Vox could have been a great book – it was certainly an interesting premise, had a fantastic start and was initially well written – but it went downhill fast. It felt like a response to an exam question where the student realises half way through that they’re running out of time, so they’d better start tying up loose ends in the fastest, most obvious way possible. Or like the author was, hmmmm, limited on words??? Was it a clever metaphor?

Nah, probably not.

Rating: Three “I messed up my timing but I think I got away with it” out of five.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

 

Review: Bitter by Francesca Jakobi

​​“Someone is watching you”*

Genre: General adult fiction

Similar to: Part Daphne DuMaurier’s Rebecca, part Eleanor Oliphant…

Could be enjoyed by: Fans of suspenseful drama with flawed characters 

Publication date: 8th March 2018th

You know when you’re reading a book and there’s a flawed character who has all the right intentions but goes about everything in completely the wrong way? That’s exactly how I felt about Gilda Meyer, the main character in Bitter. Gilda lives on her own in London near to her newly married and highly ungrateful son Reuben and his wife, Alice. She’s had a hard life, emigrating from Germany as a Jewish refugee during the war and consequently never really fitted in. She is told to marry an older man by her father, who sees the nuptials as a chance to further his business interests and when she falls pregnant Gilda finds herself woefully unprepared for the life of a young mother. Through a series of flashbacks, we explore a complicated mother/son relationship and witness her awkward attempts to right the wrongs of the past. 

Bitter is such a complicated emotional tangle of a book – but I loved every second of it. Gilda is a flawed individual and an unreliable narrator (she drinks a lot; we witness her making up fantastical stories to impress her friends) so it’s often left up to the reader to quite literally read between the lines. Gilda’s viewpoint is also tainted by the twin forces of motherly love and mother’s guilt so you’re often able to see the situation far more clearly than she is. I would hazard a guess that she suffered from post-natal depression following Reuben’s birth but Gilda sees the period as evidence of her inability to be a “proper” mother, something that has cast a perpetual shadow over her relationship with her son. Yet even through his diffident and often downright rude treatment of his mother, Gilda’s love for Reuben never wavers. The more Reuben pushes her away, the more Gilda clings to him – her desperate attempts at getting his attention becoming more and more extreme. I spent a lot of my time reading Bitter thinking “Gilda, no!” but at the same time I completely understood why she would behave in that way. As uncomfortable as it was, it made for a very compelling storyline. 

I loved the honesty of Bitter and the originality of writing about a toxic relationship from a mother/son dynamic. I thought that the single person point of view worked exceptionally well as from the outside Gilda appears to be a very unsympathetic character; a distant alcoholic who has never been able to bond with her son or show him affection. Her obsession with Reuben’s life and her interfering ways could have turned her into a real villain but I felt like Gilda’s character was so engaging that I was completely on her side. Many of the scenes were incredibly poignant and the writing so subtley nuanced that I was completely engrossed within the narrative from start to finish. 

I consistently felt that as Gilda’s behaviour became more extreme that her fragile relationship with Reuben and Alice was liable to come crashing down around her ears so I was on the edge of my seat as I approached the ending. It’s not often that you find out the big final reveal in a book at the same time as the characters so it’s testament to the excellent writing that I didn’t see it coming – but I loved the way that things played out. 

Overall, Bitter is a brilliantly written book with a very original premise, well rounded characters and an enthralling storyline. I felt like I had been sucked into the vortex of Gilda’s guilt/love downward spiral and the more desperate she became the more captivated I was – like watching a slow motion car crash, I simply couldn’t look away. Often uncomfortable but thoroughly engaging, I thought that Bitter was a fantastic read.

Rating: Four and a half “Gilda, no!”s out of five.

*Yet again another misleading grab line. Why?

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

 

Review: A Short Affair ed. Simon Oldfield

“An anthology of original short fiction from Pin Drop”

Genre: General fiction

Similar to: Nothing really. This is a totally unique project.

Could be enjoyed by: Anyone who enjoys short literary fiction and is looking for something a bit different. 

Publication date: 12th July 2018

You might not have heard of Pin Drop so I’ll start with some background; they’re a kind of amazing literary/visual arts mash up that started with authors reading out their work in art galleries and evolved into performance pieces that aim to create living, layered books live – right in front of your eyes. A Short Affair brings together many of the writers who have been involved with the project and includes some big names (Lionel Shriver, Will Self) as well as newly discovered authors via the Pin Drop Short Story Competition. There’s only audio files available but if you follow the link here you can hear Stephen Fry reading “Mrs Featherstone and the Beast”, a story featured in the collection by Bethan Roberts. Because, you know, Stephen Fry’s voice 😍😍😍. I could literally listen to him reading a telephone directory (do those things even exist any more?) but this is actually an excellent story.

I love the idea of these stories being performed live with accompanying artwork (there’s also a podcast available which I assume is the audio recordings of the performances). As far as the anthology is concerned, each story has an accompanying image associated with it (which would probably translate better in hard copy – I read this on my kindle with varying degrees of success) but which I thought added a really interesting extra dimension. 

For me, the anthology was bookended by it’s two best stories: “On Heat” by Elizabeth Day (the shocking conclusion to a marriage crippled by adultery) and “How They Turned Out” by Lionel Shriver (an ageing pop star reflects on her college roommates and how their lives turned out). Honourable mentions go to Claire Fuller for her story of a brutal stepfather in “A Quiet Tidy Man”, Barry Walsh for his tale of a young girl reflecting on a childhood accident in “Under the Waves” and Joanna Campbell for “Brad’s Rooster Feed”, a complicated story about love in all it’s forms, as witnessed by a woman feeding her neighbour’s chicken.

The only thing I would criticise is the cover. There are a number of talented artists involved with the project so why make the book look like it’s been self published by someone who only had access to stock images?

Overall, I loved having this anthology to dip in and out of when I knew I had a spare ten minutes or I knew I was likely to be interrupted. All of the stories featured were of a really high standard and I LOVED the idea of accompanying each with a different piece of artwork. I thought that the whole Pin Drop project sounded amazing and I’d be thrilled to have the opportunity to attend one of their live performances. One day!

Rating: Four “I’m reading, you answer it” out of five.

Short, intriguing fiction from both established and up-and-coming authors with thought provoking artwork adding an extra dimension.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley! 

 

Review: Now You See Her by Heidi Perks

“A missing girl. Two sides, one truth”

Genre: Mystery and thriler

Similar to: Every other “domestic thriller” with a blue cover and yellow writing (why this combination?)

Could be enjoyed by: Fans of blue books with yellow titles

Publication date: 26th July 2018

So it seems that domestic thrillers are fast becoming a guilty pleasure of mine. Yes, they’re genre so essentially follow a tried and tested formula but when they’re well written they’re utterly addictive – and luckily for me, Now You See Her is completely, totally unputdownable. In fact, I read it in one sitting (I say read – guiltily consumed it when I should have been working is more accurate). Therefore, I’m marking it as a bathtub book – as in, run a bath and be prepared not to move for the next three hours ☺.

The story focuses on Charlotte, a busy mum of three kids. Two weeks ago was the day of the school fete, when she agreed to look after her hyper-protective friend Harriet’s little girl along with her own children. Harriet’s daughter goes missing and Charlotte is beside herself – but is she actually guilty of negligence or is there something else going on? The book alternates between the events of two weeks ago, Harriet’s childhood and the present day and as it progresses we are slowly drip fed information about what has really happened. And seriously – a lot of shit has gone down.

I LOVED the way that Now You See Her was written. Heidi Perks did a fantastic job of writing such well-rounded, believable characters and built the tension up through the narrative brilliantly. I thought that the reactions of all of the characters was utterly believable and the sense of dread and panic was palpable. I also liked the way that the novel alternated between then and now – I’m not always a fan of a time slip but this one was easy to follow and didn’t require an idetic memory to establish whereabouts in the timeframe each chapter was taking place. In a lot of ways the book reminded me of a less complex Big Little Lies, but faster paced and with more drama. High praise indeed!

I really empathised with Charlotte’s character. She wasn’t perfect but she seemed very real – just an ordinary busy mum trying to keep all of her plates spinning. As the novel progressed and we found out more about Harriet she went from being a slightly annoying, one dimensional woman (the classic no-fun mum) to a complex, ambiguous individual with a disturbing past and an even more disturbing present. I really liked how the characters were played off against each other as it added to the drama and the twist at the end made me want to stand up and cheer. 

I wasn’t a huge fan of the “now it’s a year later let’s see how everyone’s getting on” final chapter as it felt a bit flat after all of the drama – but that’s only a minor criticism. 

Overall I thought that Now You See Her was a great novel – not hugely original but completely engrossing and would make a fab beach read.

Rating: Four “I’m on my way – honestly’s!” out of five

A total page turner of a novel – a great holiday book. Just don’t start reading it if you have immediate plans.

Please note that I read this book for free via Netgalley in exchange for an unbiased review. Thanks Netgalley!